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The penalty would have been fatal if not for works like the 1st Violin Concerto and the Scottish Fantasy of 1880. It was an unpopular position to maintain as the new century approached and Bruch’s old-fashioned sensibilities did a disservice to his reputation and legacy. He was an avowed devotee of Mendelssohn and Schumann and an equally passionate opponent of Wagner and Liszt. THE MUSIC – Had it not been for his friendships with the violin luminaries of his day (Ferdinand David, Joseph Joachim, Pablo de Sarasate) and the nine works he composed for their instrument, Bruch’s music might well have been entirely forgotten. Respighi and Vaughan Williams were among Bruch’s students there but when he passed away in 1920, the world had almost completely passed him by. From 1878 to 1890, he held a conducting posts in Berlin, Liverpool and Breslau, after which he settled for good in Berlin as a professor at the Hochschule.
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THE COMPOSER – MAX BRUCH (1838-1920) – Though he actively composed throughout his life, many of Bruch’s most rewarding professional successes were on the podium. Stewart, goes on to explain that the coyotes, eagles, wild horses and other spiritual forces summoned the North God, who froze the evil creatures: "The Devil Chief, the Great Mother Witch, the magician and all the rest stand there just as they stood at the instant the cold struck long ago.Instrumentation: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, cymbals, strings. The story, as written out by interviewer George E. They dug and the ground trembled and rumbled in their work." "One day, the story goes, the evil creatures of the nether regions, tired of living in the dark and dank, decided to dig up to the surface and take over everything above and below the earth. It always starts with just one hole in the ground.Ī Ute legend about Fantasy Canyon, told in 1972 by Muse Harris (aka Chief Red Moose) and printed for display on the trailhead kiosk, was either brilliantly prescient or a masterwork in shade: The wilderness is long gone.īut I think Fantasy Canyon can be instructive as we look at potential development on other sensitive sites around Utah.
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If all industry were to suddenly stop in its tracks, this patch of desert would bear its marks for a very long time. The development here is overwhelming, with roads criss-crossing each other in city-like density. Other hikers have reported noise during the day and bright lights through the night. Our modern world exacts some losses the land around Fantasy Canyon is one of them. Oil and gas extraction is the long-established (if somewhat unstable) center of the Uintah Basin's economy. There is so much there - trucks, production tanks, warning signs - that it is hard to even envision the place as wild, and that blunts the grief I normally feel when I see human activity blighting natural beauty. The landscape is strewn with wellheads and pipes, and while the BLM appears to have kept them out of direct sightlines from the canyon itself, the hike to the top offers a vista that is mostly industrial. A map at the trailhead puts image-in-the-clouds labels on various rocks - such as "diving otter," "Mickey Mouse" and "yawning lady" - and corresponding numbered markers can be found along the trail.Īnother difference between Fantasy Canyon and Goblin Valley: the scores of drilling operations in the immediate vicinity.
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I think the rock formations at Fantasy are even more intricate and beautiful. Some of the sandstone was harder than the surrounding rock, which weathered at various rates and produced the squiggly formations of Fantasy Canyon.įantasy Canyon is often compared to Goblin Valley, though the area is more compact and the rock at Fantasy is badlands gray rather than the warm orange of southern Utah. That's about how long ago sandstone, siltstone and shale began to form at the shore of the ancient Lake Uinta, according to geologists with the U.S. Ghoulish formations of sandstone are caught in writhing poses like still frames from a 50 million-year-old reel of film. It is … well, an extremely pretty thing in a natural gas field.